Thursday, June 28, 2012
6 Alternatives to Treat Thrush
Sprue or also called stomatitis is an inflammation affecting the mouth, such as in the mouth, lips, tongue, gums, or even on the palate. Although not a Dangerous diseases, but its presence is often interfere with eating. Well, the following is a list of alternative treatments to get rid of canker sores:
A. The content of vitamin C in the sage leaves proved to be effective cure stubborn sores. Make the sage leaves boiled water, then drink the cooking water when cool. If you do not like the distinctive flavor of sage leaves, add pure honey can also be an option.
2. You can gargle with turmeric grated two segments that have previously been added to a glass of water.
3. Other recipes you can try to drink boiled water or rinsing with a few leaves of guava.
4. Green coconut water also can be a potent ulcer drugs. You simply enjoy the freshness of green coconut water by drinking it without any mixture.
5. Applying honey can be an alternative. just dab honey on the affected parts of the mouth sores. If it is difficult to reach, swallowing a glass of water is added honey is also no less potent.
6. Betel leaf is also one of the series sprue removal. Take two pieces of fresh betel leaves, wash and then chew until creamed. Leave it on the wound for a while. (* / OL-06)
Natural Thrush Treatment
I want to share the article in because my son had thrush in his mouth wall. I am looking for an alternative effective treatment on the internet. and I found this article which I think is quite effective. I hope what i share is useful.
FOR MORE DETAIL INFORMATION YOU CAN VISIT : http://www.mediaindonesia.com/mediahidupsehat/index.php/read/2012/06/22/5324/11/6-Alternatif-Mengobati-Sariawan
BLACK N WHITE BATIK CLIP

Wednesday, June 27, 2012
INDONESIAN BATIK TULIS
Batik is the ancestral culture and heritage of the state of Indonesia which need to be preserved. One type of batik is batik tulis, the fabric is decorated by hand according to a specific pattern or texture. So, the process of manually making the motive. Is characteristic of batik tulis color combination could be more, not recurring motif, and the basic color can be dark or bright.
The tools used are canting, canting is typical of the traditional tools used to write patterns on batik fabric with a liquid night.
Part of a canting was 3, namely:
Nyamplung: bin where the liquid night, made of copper.
Beak: nyamplung affiliated with, is a hot night spot discharge when writing batik.
Handle: the handle canting, generally made of bamboo or wood.
Techniques Batik Indonesia
Here are some techniques of batik making
Batik Colet (color) made of bamboo or wood.
Batik is a process that is similar to drawing on the canvas, with colors incised by canting the cloth directly. Here creativity is needed hand scratches ..
Batik Tulis Malam
is the process of making batik is almost similar to batik cap.prosesnya by incised into cloth liquid night that the motive was first drawn by pansil. then new pewarnannya process.
if you want to know more, you can visit : http://www.katabagus.com/batik-tulis-indonesia.html
have a nice day



Tuesday, June 26, 2012
OCEAN CLIP


Wednesday, June 20, 2012
BROWN BATIK NECKLACE
Saturday, June 16, 2012
HISTORY OF KANZASHI FLOWER
Kanzashi are hair ornaments used in traditional Japanese hairstyles. Some believe they may also have been used for defence in an emergency.
In the English-speaking world, the term "kanzashi" is sometimes applied to the folded cloth flowers that traditionally adorned tsumami kanzashi, or to the technique used to make those flowers.
HISTORY
Kanzashi were first used in Japan during the Jōmon period. During that time, a single thin rod or stick was considered to have mystical powers which could ward off evil spirits, so people would wear them in their hair. This is also when some of the first predecessors of the modern Japanese hair comb began to appear.
During the Nara period, a variety of Chinese cultural aspects and items were brought to Japan, including zan (written with the same Chinese character as kanzashi) and other hair ornaments. During the Heian period, the traditional style of putting hair up was changed to wearing it long, tied back, and down. It was at this time that kanzashi began to be used as a general term for any hair ornament, including combs and hairpins.
During the Azuchi-Momoyama period, the hairstyles changed from the taregami (垂髪?), or long straight hair, to the wider variety of "Japanese hair" (日本髪 Nihongami?) which make more use of hair ornaments.
Kanzashi came into wide use during the Edo period, when hairstyles became larger and more complicated, using a larger number of ornaments. Artisans began to produce more finely crafted products, including some hair ornaments which could be used as defensive weapons.
During the latter part of the Edo period, the craftsmanship of kanzashi reached a high point, with many different styles and designs being created (see Types of kanzashi, below).
Currently, the use of kanzashi has declined significantly in favor of more Western hairstyles. The most common use of kanzashi now is in Shinto weddings and use by maiko (apprentice geisha).
Nowadays, kanzashi are most often worn by brides; by professional kimono wearers such as geisha, tayū and yujo; or by adepts in Japanese tea ceremony and ikebana. However, there is currently a revival among young Japanese women who wish to add an elegant touch to their business suit.
Tsumami kanzashi has been officially designated as a traditional Japanese handcraft in the Tokyo region since 1982.[1] Traditionally trained professional artisans typically undergo five to ten years of apprenticeship; from 2002 to 2010, their estimated number within the country decreased from fifteen to five.[2][3] However, the petal-folding technique has become a popular hobby, due to instructional books, kits, and lessons from sources such as the Tsumami Kanzashi Museum in Shinjuku. Some students have bypassed the traditional apprenticeship system to establish themselves as independent professional artisans of tsumami kanzashi within Japan.[4]
There are many varieties and many styles of wearing kanzashi. The way in which a geisha wears her kanzashi indicates her status immediately to an informed audience; according to the type and location of the kanzashi. Maiko (apprentice geisha) usually wear more numerous and elaborate kanzashi than older geisha and progress through several hairstyles where the kanzashi must be worn in a fixed pattern.



Friday, June 15, 2012
Kanzashi hair clip



Thursday, June 14, 2012
Flower Batik clip



Wednesday, June 13, 2012
My others necklaces
Tuesday, June 12, 2012
CROWN HEADBAND


One of my handmade batik necklace and clip



HISTORY OF BATIK INDONESIA
History of Batik Indonesia
Batik is historically derived from the days of our fathers, known since
XVII century, written and painted on palm leaves. At that time batik motif or pattern is still dominated by the shapes of animals and plants. But in the history of batik development progressed, the motifs of the paintings of animals and plants slowly turned to abstract motif that resembles a cloud, temple reliefs, puppet beber and so on. Furthermore, through the merger with the art style paintings decorating clothing, batik art emerged as we know it today.
The type and style of traditional batik quite so much, but the pattern and its variations in accordance with the philosophy and culture of each region are very diverse. The cultural treasures of this rich Indonesia has led to the birth of various shades and types of batik with a characteristic tradisioanal own specialty.
Development of Batik in Indonesia
History of batik in Indonesia related to the development of the Majapahit kingdom and later empire. In some records, the development of batik is mostly done in times of Mataram kingdom, then in the kingdom of Solo and Yogyakarta.
Batik art is art image on the cloth for clothing that was one of a family culture of the kings of ancient Indonesia. Batik initially worked in the palace alone are limited and the results for the king's clothing and family and his followers. Because many of the followers of the king who lived outside the palace, the art of batik was brought by the palace and carried them out in place of each.
In the development of this batik art gradually imitated by the people nearest and further expanded into the work of women in the household to fill leisure time. Furthermore, batik clothes that used only the royal family, became a popular folk clothing, both women and men.
White fabric that is used when it is the result of homespun. Coloring materials are being used consists of plants native to Indonesia that is made, among others of: noni tree, tall, Soga, indigo, and the material made from soda ash soda, and salt is made of mud.
So this batik in Indonesia has been known since the time of the Majapahit kingdom and continued to grow until the next kingdom. As for starting the spread of this batik art belongs to the people of Indonesia and Java in particular tribe is after the end of the eighteenth century or early nineteenth century. Produced batik batik is all up to the early twentieth century and is known batik new world of unity after the war or about the year 1920. Now, batik has become part of Indonesia's traditional clothing.
Batik is historically derived from the days of our fathers, known since
XVII century, written and painted on palm leaves. At that time batik motif or pattern is still dominated by the shapes of animals and plants. But in the history of batik development progressed, the motifs of the paintings of animals and plants slowly turned to abstract motif that resembles a cloud, temple reliefs, puppet beber and so on. Furthermore, through the merger with the art style paintings decorating clothing, batik art emerged as we know it today.
The type and style of traditional batik quite so much, but the pattern and its variations in accordance with the philosophy and culture of each region are very diverse. The cultural treasures of this rich Indonesia has led to the birth of various shades and types of batik with a characteristic tradisioanal own specialty.
Development of Batik in Indonesia
History of batik in Indonesia related to the development of the Majapahit kingdom and later empire. In some records, the development of batik is mostly done in times of Mataram kingdom, then in the kingdom of Solo and Yogyakarta.
Batik art is art image on the cloth for clothing that was one of a family culture of the kings of ancient Indonesia. Batik initially worked in the palace alone are limited and the results for the king's clothing and family and his followers. Because many of the followers of the king who lived outside the palace, the art of batik was brought by the palace and carried them out in place of each.
In the development of this batik art gradually imitated by the people nearest and further expanded into the work of women in the household to fill leisure time. Furthermore, batik clothes that used only the royal family, became a popular folk clothing, both women and men.
White fabric that is used when it is the result of homespun. Coloring materials are being used consists of plants native to Indonesia that is made, among others of: noni tree, tall, Soga, indigo, and the material made from soda ash soda, and salt is made of mud.
So this batik in Indonesia has been known since the time of the Majapahit kingdom and continued to grow until the next kingdom. As for starting the spread of this batik art belongs to the people of Indonesia and Java in particular tribe is after the end of the eighteenth century or early nineteenth century. Produced batik batik is all up to the early twentieth century and is known batik new world of unity after the war or about the year 1920. Now, batik has become part of Indonesia's traditional clothing.

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